AtrtWorks for sustainable livelihoods is a project that aims to explore the various ways in which art and artistic methods can give us insight on sustainable living and can be used to advocate for such living.

I am Caroline Archambault, an assistant professor in anthropology and development at Leiden University College, The Netherlands. Among my various interests I love to teach and train students on research, fieldwork, and the ethics of engagement. And I really enjoy developing experiential and FUN methods for deep and lasting learning.
ArtWorks developed unknowingly to me, yet now that is has a name it is a project I have been pursuing since the start of my teaching. It was a very gradual realization that in various teaching contexts I turn to the arts as a medium through which to make explicit and celebrate how knowledge is co-creation. Artistic expression is a powerful way for people to express and communicate the meaning and relationships they have to the environments they are part of. And internalizing and processing those expressions from others is also facilitated through artistic creation. Something new is created from both sides.
As a consequence I could fill this website with all kinds of different techniques I have explored and showcase the enormous collection of student creativity coming out of my courses, but, because of time and to help make it accessible and of interest for you, I have limited to a course I teach on First Time Fieldwork and the Search for Sustainable Livelihoods. See a more detailed description of the course HERE.
I share these classroom exercises and student outputs in hopes that it will inspire other teachers to make space for the arts in their courses on societal challenges and sustainable futures. I have tried to give credit to the approaches and methodologies I have been inspired by and whose work I am building from. I hope you will do the same.
I would like to recognize my amazing students. I am so grateful for their curiosity and courage to explore and experiment with these artistic techniques. It is wonderful to see them connect with and release their creative energies and to see them have so much fun pursuing their studies.
I would also like to give a special thanks to the managing committee of Oerol festival (www.oerol.nl) for giving us our first official gig-applying our creative methods to studying art activists at the festival. This experience has given the project great momentum.